也许是电视版的缘故后半段过多的自我重复成了beat on a dead horse消解了更多的余韵空间讲来讲去炸弹追凶是可悲的男人找不到自己人生的意义而可悲的女人把意义寄托在这可悲的男人身上可是男人、女人、所有人他们本可以有更多的可能性
坦坦坦克:171.10.141.70
"Here, in cinema’s most unpleasant genre, Dolan has found a way to exasperate & exhaust his audience...also achieved a completely unexpected catharsis at the end of an agonizing hour & a half. Standing there on the grave of dreams, he knows why the caged bird sings." - Variety
冰与火之哥:171.13.236.144
说真的炸弹追凶这个系列三部基本可以称为开罗人传了除了他之外其余角色都是单纬度发展片中有太多时刻我直接在影院了笑了出来I am the spy出现后我再也没法认真的去看这部片只想笑.....