这部电影是我看过到过最深刻的反战电影就像男主的名字一样这次战争就是一个Joker ~从佩尔枪杀教官那一刻起已经暗示了这场战争的荒谬性质joker的头盔写了born to kill,而胸前却别着一个和平勋章这证明着他是矛盾的一方面想征战沙场建功立业另一方面是作为一个战地记者对人类命运的探讨他说他一定要成为他所住街道上第一个在战场上成功的战士他做到了杀死的却是一个越共小女孩……电影用荒诞来表现男男XXXX军人XX呻吟XX其实现实比电影更荒诞~
Shoot down the baddies, strike a pose, get rich! The 2nd movie of the Dollars trilogy could be satirized in these terms, but how unfair would that be? You don’t watch Sergio Leone for deep philosophical insights, but for his filmmaking. For Ennio Morricone’s splendid scores too: he knows when to go silent, how to creep you out with dissonant strings, when to get synchronized and punctuate iconic gestures. He can charm with a chime, and soar into epicness or poise for a showdown. An interesting relationship between the two MC and internal conflicts among conspirators also make for a good story. But it's Maria Volonte as an eerie, brutal, cunning and even sensual villain who shines most.